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Download Ebook The Age of Imperialism: The Economics of U.S. Foreign Policy (Monthly Review Press Classic Titles)By Harry Magdoff

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The Age of Imperialism: The Economics of U.S. Foreign Policy (Monthly Review Press Classic Titles)By Harry Magdoff

The Age of Imperialism: The Economics of U.S. Foreign Policy (Monthly Review Press Classic Titles)By Harry Magdoff


The Age of Imperialism: The Economics of U.S. Foreign Policy (Monthly Review Press Classic Titles)By Harry Magdoff


Download Ebook The Age of Imperialism: The Economics of U.S. Foreign Policy (Monthly Review Press Classic Titles)By Harry Magdoff

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The Age of Imperialism: The Economics of U.S. Foreign Policy (Monthly Review Press Classic Titles)By Harry Magdoff

Magdoff’s analysis is the foundation upon which the work of an entire tradition of Monthly Review authors rests.

  • Sales Rank: #6879938 in Books
  • Brand: Brand: Monthly Review Press
  • Published on: 2011-03-21
  • Released on: 2011-03-21
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 5.75" w x .75" l, .75 pounds
  • Binding: Hardcover
  • 208 pages
Features
  • Used Book in Good Condition

About the Author

Harry Magdoff has been a co-editor of Monthly Review since 1969 and is the author of The Age of Imperialism and Imperialism: From the Colonial Age to the Present.

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The Age of Imperialism: The Economics of U.S. Foreign Policy (Monthly Review Press Classic Titles)By Harry Magdoff PDF
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Free Ebook Telling God's Story: The Biblical Narrative from Beginning to EndBy Preben Vang, Terry G. Carter

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Telling God's Story: The Biblical Narrative from Beginning to EndBy Preben Vang, Terry G. Carter

Telling God's Story: The Biblical Narrative from Beginning to EndBy Preben Vang, Terry G. Carter


Telling God's Story: The Biblical Narrative from Beginning to EndBy Preben Vang, Terry G. Carter


Free Ebook Telling God's Story: The Biblical Narrative from Beginning to EndBy Preben Vang, Terry G. Carter

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Telling God's Story: The Biblical Narrative from Beginning to EndBy Preben Vang, Terry G. Carter

How well do you know His story?

By the time a Christian reaches young adulthood, he is likely to be quite familiar with every major story in the Bible, but not from having studied them in any particular order.

Ask an average Bible student to arrange certain characters and events chronologically, and the results are telling.

Telling God’s Story looks closely at the Bible from its beginning in Genesis to its conclusion in Revelation. By approaching Scripture as one purposefully flowing narrative, emphasizing the inter-connectedness of the text, veteran college professors Preben Vang and Terry G. Carter reinforce the Bible’s greatest teachings and help readers in their own ability to share God’s story effectively with others.

Ideal for classroom settings, this second edition of Telling God's Story now features all supporting charts, photographs, and illustrations in full color!

  • Sales Rank: #221538 in eBooks
  • Published on: 2013-08-01
  • Released on: 2013-07-12
  • Format: Kindle eBook

About the Author
Preben Vang is professor of Biblical and Theological Studies at Palm Beach Atlantic University in West Palm Beach, Florida. He and his family are natives of Denmark and moved to the United States from Copenhagen in 1997.

Terry G. Carter is associate dean, Pruet School of Christian Studies; W. O. Vaught professor of Christian History and Ministry; and chair, department of Christian Ministry at Ouachita Baptist University in Arkadelphia, Arkansas.

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PDF Download Analytical Archaeometry: Selected TopicsFrom Brand: Royal Society of Chemistry

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Analytical Archaeometry: Selected TopicsFrom Brand: Royal Society of Chemistry

Analytical Archaeometry: Selected TopicsFrom Brand: Royal Society of Chemistry


Analytical Archaeometry: Selected TopicsFrom Brand: Royal Society of Chemistry


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Analytical Archaeometry: Selected TopicsFrom Brand: Royal Society of Chemistry

Analytical Archaeometry describes this interesting and challenging field of research - on the border between natural sciences (chemistry, spectroscopy, biology, geology) and humanities (archaeology, (art-)history, conservation sciences). It fills the gap between these two areas whilst focussing on the analytical aspects of this research field. The first part of the book studies the main analytical techniques used in this research field. The second part expands from the different types of materials usually encountered, and the final part is organised around a series of typical research questions. The book is not only focussed on archaeological materials, but is also accessible to a broader lay audience. Overall the book is clearly structured and gives insight into different approaches to the study of analytical providing extensive discussion on a wide range of techniques, materials, questions and applications. Due to the advances in analytical instrumentation and applications in this field, it is important to have all this information merged together. Academics as well as professionals in archaeology, art history, museum labs and conservation science will find this an invaluable reference source ensuring the reader is provided with the latest progress in this research field.

  • Sales Rank: #4973956 in Books
  • Brand: Brand: Royal Society of Chemistry
  • Published on: 2012-11-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 1.64" w x 6.14" l, 2.53 pounds
  • Binding: Hardcover
  • 593 pages
Features
  • Used Book in Good Condition

Review
Book’s topic This book outlines the principles and applications
of the most important analytical techniques in use for analysing
artworks and archaeological objects, and discusses the
materials encountered in this field.Description of the analytical
techniques includes fundamental theoretical backgrounds, but
the main focus is on how to apply those techniques and the
information that can be obtained by use of archaeometry.
The book’s 20 chapters are divided into three parts. Part
one covers the most commonly used analytical techniques;
part two deals with composition, analytical methods, and
degradation of materials; and part three discusses some
emerging archaeometric themes. The book gives good
guidelines on how to select the most appropriate techniques,
and covers non-destructive and micro-destructive techniques
Contents Chapters 1–7 cover the imaging techniques
that are the basis of common non-destructive scientific
visualisation: vibrational spectroscopy; X-ray methods,
including instrumentation and archaeometry applications;
radiocarbon dating; separation techniques, mostly interfaced
with mass spectrometry to identify organic substances; mass
spectrometry, focusing on element identification and isotope
determination; and electrochemical techniques (useful to
obtain information about composition and origin).
Chapters 8–17 describe the composition and ageing
behaviour of several materials encountered in art and
archaeology. Pottery, glass, and obsidian artefacts are critically
reviewed, covering the most recent literature. Advanced
instrumental techniques used to characterise enamelled
metalwork and gemstones (not commonly discussed in the
literature) reveal new possibilities for investigating these
materials. A survey of pigments and dyes in history emphasizes
the importance of colours and the complexity of their chemical
composition. The chapter on the structures and materials of
panel and canvas paintings summarises how to characterise
both artists’ materials and those used for restoration. Chapter
14 provides information enabling better understanding of the
rates and mechanisms of corrosion of ferrous metals under
different environmental conditions. Resin and fossil resins
are briefly discussed in Chapter 15, and innovative analytical
procedures for identifying archaeological ivory are detailed.
Historical textiles are taken into account, but only in description
of a case study (a 17th-century bodice).
Chapters 18 and 19 report recent developments in the
authentication of art and archaeological objects and of
gemstones, and give insights into the production of the
decorative tiles used in Iranian architecture. The closing
chapter deals with an intriguing topic related to chemical
Comparison with the existing literature The book focuses
on the theory and practice of state-of-the-art analytical
identification of underwater remains.techniques and on characterisation of the materials of
artworks and archaeological objects. A few topics, e.g.
authentication and identification of gemstones, have some
coverage in the few books available on archaeometry—-
Archaeological Chemistry by A.M. Pollard and C. Heron
(RSC Publishing 2008) or Analytical Techniques in Material
Conservation by B. Stuart (Wiley 2007). Although not
exhaustive, most of the arguments are thoroughly discussed
and well-documented.
Critical assessment The book covers conceptual and
technological developments of, approximately, the last ten
years in the ever-expanding field of archaeometry. It discusses
new developments in the field and clarifies the use of nondestructive
and micro-destructive diagnostic techniques. The
chapters on different applications, contributed by known
experts in each field, are a valuable resource for any
archaeometry researcher unfamiliar with the techniques
described. Thismulti-authored book is also recommended to
students studying for masters in chemical science and
conservation science.
Summary Analytical Archaeometry covers the most
common analytical techniques and procedures applied to art
and archaeological objects, clearly presenting their advantages
and disadvantages. The book provides an overview of the
analytical techniques that are available to those with an
interest in archaeometry and conservation sciences. (Maria Perla Colombini Anal Bioanal Chem (2013) 405:5635–5636 DOI 10.1007/s00216-013-7008-9)

The book gives good guidelines on how to select the.most.appropriate techniques, and covers non-destructive and micro-destructive techniques

The chapters on different applications, contributed by known experts in eaCh field, are a valuable resource for an archaeometry researcher unfamiliar -with the techniques
described. This multi-authored book is also recommended to students studying for masters in chemical science and conservation science.

Analytical Archaeometry covers the most common analytical techniques and procedures applied to art and archaeological objects. clearly presenting their advantages and disadvantages. (Maria Perla Colombini Anal Bioanal Chern (2013) 405:5635--5636 DOl 10.1007/s00216-013-7008-9)

From the Back Cover
Analytical Archaeometry describes this interesting and challenging field of research - on the border between natural sciences (chemistry, spectroscopy, biology, geology) and humanities (archaeology, (art-)history, conservation sciences). It fills the gap between these two areas whilst focussing on the analytical aspects of this research field. The first part of the book studies the main analytical techniques used in this research field. The second part expands from the different types of materials usually encountered, and the final part is organised around a series of typical research questions. The book is not only focussed on archaeological materials, but is also accessible to a broader lay audience. Overall the book is clearly structured and gives insight into different approaches to the study of analytical providing extensive discussion on a wide range of techniques, materials, questions and applications. Due to the advances in analytical instrumentation and applications in this field, it is important to have all this information merged together. Academics as well as professionals in archaeology, art history, museum labs and conservation science will find this an invaluable reference source ensuring the reader is provided with the latest progress in this research field.

About the Author
Professor Howell GM Edwards has published over 430 research papers in Raman spectroscopy and is on the Editorial Advisory Boards of the Journal of Raman Spectroscopy, Spectrochimica Acta: Biomolecular Spectroscopy, the Internet Journal of Vibrational Spectroscopy and the Asian Journal of Spectroscopy. He has supervised 40 research students for Ph.D degrees. Currently, he has research collaborations with groups in Spain, France, Denmark, Germany, Australia, Brazil and the USA. He has lectured widely on Raman spectroscopy and its applications including Plenary and Invited Lectures in Brazil, Australia, Finland, Denmark, Spain, France, South Africa, U.S.A and Germany. Sponsors of his research work include Bruker (Germany), Stiefel Pharmaceuticals, British Nuclear Fuels plc, ICI, BP, Purolite Intl. (USA), British Antarctic Survey, Repsol (Spain), the British Council and Elf Aquitaine (France). Professor Edwards is also national committee member of the Molecular Spectroscopy Group of the Royal Society of Chemistry and also of the UK Astrobiology Panel. Peter Vandenabeele is Professor of Archaeometry at the University of Ghent, Belgium. His main research interests are the application of Raman and analytical techniques to archaeology and art materials , dyestuffs , wall paintings and ceramics.

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Get Free Ebook Indian Home Cooking: A Fresh Introduction to Indian Food, with More Than 150 Recipes, by Suvir Saran Stephanie Lyness

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Indian Home Cooking: A Fresh Introduction to Indian Food, with More Than 150 Recipes, by Suvir Saran Stephanie Lyness

Indian Home Cooking: A Fresh Introduction to Indian Food, with More Than 150 Recipes, by Suvir Saran Stephanie Lyness


Indian Home Cooking: A Fresh Introduction to Indian Food, with More Than 150 Recipes, by Suvir Saran Stephanie Lyness


Get Free Ebook Indian Home Cooking: A Fresh Introduction to Indian Food, with More Than 150 Recipes, by Suvir Saran Stephanie Lyness

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Indian Home Cooking: A Fresh Introduction to Indian Food, with More Than 150 Recipes, by Suvir Saran Stephanie Lyness

From Publishers Weekly

There's much to like in this informative cookbook, which offers an accessible take (if, inevitably, not a comprehensive one) on one of the world's most vast and complex regional cuisines. It's a natural development for Saran, who teaches Indian cooking classes and opened the New York restaurant Amma last year. Such expertise is welcome in a book that cherry-picks freely from Moghul meat dishes, Gujerati dals, Hyderabadi greens and Punjabi tandoor dishes. That said, many of the curries are familiar, like Chicken Tikka Masala and Simple Lamb Curry with Coriander and Garam Masala. Surprisingly straightforward vegetable dishes include Smoked Spiced Eggplant, and Crisp Whole Okra with Fennel and Coriander. Rice dishes range from simple (Cumin-Scented Rice Pilaf) to elaborate (Sweet Saffron Pilaf with Nuts and Currants). Lassis, raitas, breads and some unexpectedly Western-sounding desserts (e.g., Blueberry-Lemon Pie and Gingersnap Pudding) complete the volume. Unfortunately, the book's minuscule print poses a nuisance for home cooks, who may be called upon to dash back and forth, adding spices to the pan every 30 seconds. Just taking the time to find one's place on the page can result in smoke and burnt seasonings. Still, Saran and Lyness fill a crucial niche in the cookbook market; their work should be avidly welcomed. 75 color photos. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From the Author

"This is my generation of Indian cuisine, While many of the recipes in this book are traditional, my approach to Indian food is eclectic and, perhaps more important, pragmatic. I devise recipes on the basis of what tastes good to me - using accessible American ingredients in place of some Indian ones - and I simplify wherever possible." from the Introduction

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Product details

Hardcover: 272 pages

Publisher: Clarkson Potter (August 31, 2004)

Language: English

ISBN-10: 9780609611012

ISBN-13: 978-0609611012

ASIN: 0609611011

Product Dimensions:

7.7 x 0.8 x 10.3 inches

Shipping Weight: 2.4 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

95 customer reviews

Amazon Best Sellers Rank:

#94,707 in Books (See Top 100 in Books)

Best of all the Indian cookbooks, and I've tried many different ones after several trips to India. This is the only one I use regularly. In fact, it's in my main weekly rotation, along with Alice Waters, Bittman and Marcella. Once you have the five or six basic spices handy, and a few staples like the right lentils, some dried coconut flakes, and some small dried red chiles, you're set. The basic recipes that he starts each chapter are excellent. And because it's delicious Indian food, this is a great book if you want to go all vegetarian.His secret for home cooks, is that he makes everything as fast and simple possible, like a true Indian grandma, but he insists on toasting fresh spices -- and if possible grinding them in your grinder (if possible). That's the one area where he doesn't encourage taking shortcuts. It makes all the difference and only takes an extra minute or so. Same for his dals. You need to make the tempering oil, as he shows, to get the layers of flavor that dazzle people. It is not a beautifully designed or "pretty" cookbook. It's not for show. But Suvir really, really knows the needs of the home cook. Simple recipes, easy to understand, etc. Even his way of making rice is so simple. Also, if you google videos of him, you'll see him on Martha Stewart or elsewhere making many of the basic dishes, which can be helpful.

I've made about a dozen recipes from this cookbook, and every single one of them has been excellent.The best:* dal with ginger and lime -- of the gagillion dal recipes I've tried, this is the best. Pungent, spicy, and citrusy all at once* hyderabad cauliflower -- creamy, with mint, cilantro, and coconut-- fantastic!* baingan bharta -- baingan bharta, in general, is one of my favorite dishes of all time, and Saran's recipe passed the test. It's succulent but not too rich and mushy (like some baingan bhartas)* the okra with northern Indian spices -- I wasn't even sure I liked okra, but the texture and flavors in this dish can't be beatOther top hits: stir-fried cabbage with south Indian spices; spicy mango chutney; dhansak (a spicy eggplant, squash, and lentil Stew); and the chai tea recipe.A few of the things I love about Indian Home Cooking:1) Medium level of difficulty/complexity/exoticism. The other Indian recipes I usually make come from *The Asian Vegan Kitchen* (http://www.amazon.com/The-Asian-Vegan-Kitchen-Appetizing/dp/156836430X). It's a phenomenal cookbook, and I use it regularly, but most of the recipes require making complicated pastes or powders beforehand. By contrast, in *Indian Home Cooking* Saran has really split the difference between super-complicated recipes that require hard-to-find ingredients, and super-simple recipes that say, "Just add curry powder! Instantly exotic!"2) On the subject of exoticism... some people might find fault in this cookbook for being 'inauthentic.' Yes, there's a recipe for a tofu scramble. And yes, the (amazing) okra recipe is prefaced by a note saying something like, "This recipe doesn't really come from any particular place or tradition; it's just how I like to cook okra when I'm short on time." In another recipe (I can't remember which and don't have the book on hand), Saran admits that the recipe is--like the modern state of India itself--rather new and always already a hybrid. Other recipes, like the hyderabadi cauliflower, come from regions of India already known for their cultural and culinary mixing. In short: Saran doesn't waste time fetishizing or performing authenticity; he simply shares recipes that are generally Indian, and sophisticated in palate while still highly accessible.3) Vegan/Vegetarian, plus. I'm a vegan, and this is the only non-vegetarian cookbook I've ever spent money on. There are so many fantastic non-meat recipes; I use something like 80% of the cookbook. That said, the book would also be a great gift to share with meat-eaters. Basically, EVERYONE WHO LIKES INDIAN FOOD, AND LIKES TO COOK, SHOULD HAVE THIS COOKBOOK.

This is a wonderful introduction to Indian cooking. The ingredients are geared toward American cooks with easier to find ingredients that can be ordered online or found at ethnic stores and the recipes are easy to follow and adjust to your liking. I've really enjoyed exploring Indian home cooking, and my kids love all the spices and flavors. I appreciate the information at the beginning of each recipe that describes the origin of the dish as well. Because I'm cooking for small children and I myself am not a fan of spicy food, I usually omit the chili peppers and that's what's great about making Indian food at home. Every recipe I've tried has come out wonderful, and I've learned so many techniques along the way. The authors really make the challenge of learning Indian cooking very accessible to the home cook which is likely due to the authors experience as a cooking instructor. I don't know how "authentic" the recipes are, all I know is they're delicious!

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Free PDF Travels With CharleyBy John Steinbeck

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Travels With CharleyBy John Steinbeck

  • Sales Rank: #3394612 in Books
  • Published on: 1962
  • Number of items: 1
  • Binding: Hardcover

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Free Download CMOS Projects and Experiments: Fun with the 4093 Integrated Circuit (Electronic Circuit Investigator)By Newton C. Braga

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CMOS Projects and Experiments: Fun with the 4093 Integrated Circuit (Electronic Circuit Investigator)By Newton C. Braga

Full of projects based on the 4093 CMOS IC, CMOS Projects and Experiments will be of great interest to hobbyists and students. Readers will have the opportunity to learn how to apply CMOS ICs in their six primary uses while building these well-documented projects.


CMOS Projects and Experiments includes instructions to build over 100 unusual and useful projects. They include audio and RF devices, lamps, LEDs, timers, alarms, inverters and much more. This book offers hobbyists and students a satisfying, practical way of learning about a hot topic in electronics today.

Among the devices you can build using this book are a touch-controlled oscillator, a light-controlled oscillator, insect repellent, a metronome, a Morse code tone generator, a CW transmitter, a two-tone siren, a neon-lamp flasher, an auto turn-off relay, a turn-off timer, a touch-controlled motor, a bistable sonic relay, a coin tosser, a freezer alarm, an ultraviolet lamp, a simple fluorescent lamp inverter, a nerve stimulator, and an experimental high-voltage generator.



Taps the vast capabilities of the 4093 IC
Focuses on insights gained through completing each project
Includes cost considerations, sources for further information, and practical advice

  • Sales Rank: #2716775 in eBooks
  • Published on: 2000-01-07
  • Released on: 2000-01-07
  • Format: Kindle eBook

Review
'This book offers hobbyists and students a satisfying, practical way of learning about most hot topics in electronics today.' - Electronic Servicing and Technology

From the Publisher
CMOS Projects and Experiments includes instructions to build over 100 unusual and useful projects. They include audio and RF devices, lamps, LEDs, timers, alarms, inverters and much more. This book offers hobbyists and students a satisfying, practical way of learning about a hot topic in electronics today. Among the devices you can build using this book are a touch-controlled oscillator, a light-controlled oscillator, insect repellent, a metronome, a Morse code tone generator, a CW transmitter, a two-tone siren, a neon-lamp flasher, an auto turn-off relay, a turn-off timer, a touch-controlled motor, a bistable sonic relay, a coin tosser, a freezer alarm, an ultraviolet lamp, a simple fluorescent lamp inverter, a nerve stimulator, and an experimental high-voltage generator.

About the Author
Newton C. Braga is a well-known expert on hobbyist electronics, and a heavily published author in his home country of Brazil.

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Download PDF The Soul is Not a Smithy (Electric Literature's Recommended Reading Book 91)By David Foster Wallace

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The Soul is Not a Smithy (Electric Literature's Recommended Reading Book 91)By David Foster Wallace


The Soul is Not a Smithy (Electric Literature's Recommended Reading Book 91)By David Foster Wallace


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The Soul is Not a Smithy (Electric Literature's Recommended Reading Book 91)By David Foster Wallace

“'[The Soul is Not a Smithy]' has a special place in my editor’s heart, I won’t deny it," writes Sven Birkerts, editor of AGNI (where this story originally appeared), in his introduction to this issue of Recommended Reading. "[David Foster] Wallace sent it to us as a way of wishing Godspeed—it was an act of kindness, one that we have since done everything we could to try to deserve. There is no flash summary possible, no shortcut I can offer through the bramble of it. I can only testify, as so many others have, that it is vintage Wallace, breaking expectation, compelling devoted attention, repaying in the way that the best art does: by letting us feel at the end that something has been rearranged and at a deep level."

About the author:
David Foster Wallace was born in Ithaca, New York, in 1962 and raised in Illinois, where he was a regionally ranked junior tennis player. He received bachelor of arts degrees in philosophy and English from Amherst College and wrote what would become his first novel, The Broom of the System, as his senior English thesis. He received a masters of fine arts from University of Arizona in 1987 and briefly pursued graduate work in philosophy at Harvard University. His second novel, Infinite Jest, was published in 1996. Wallace taught creative writing at Emerson College, Illinois State University, and Pomona College, and published the story collections Girl with Curious Hair, Brief Interviews with Hideous Men, Oblivion, the essay collections A Supposedly Fun Thing I'll Never Do Again, and Consider the Lobster. He was awarded the MacArthur Fellowship, a Lannan Literary Award, and a Whiting Writers' Award, and was appointed to the Usage Panel for The American Heritage Dictionary of the English Language. He died in 2008. His last novel, The Pale King, was published in 2011.

About the Guest Editor:
Like so many other ventures that first saw light in the counter-culture era, AGNI (founded in 1972 by Askold Melnyczuk) set itself up as an alternative to the status quo, a fly in whatever was the going ointment. Though much has changed and evolved, and though captains and crews have grown a bit older, we like to think that the founding spirit survives. Not so much as a politics, more as a feisty eclecticism, a welcoming of spirits from all parts of the world (we prize fine translation), and as an insistent celebration of the literature that represents the thorny complexity, the complex thorniness, of making a self in a world become “hyper” in so many respects. We look for language that gets our moment, that achieves excellence through the integration of perspectives, that strikes the note of the new. Our avatar is the Vedic god of fire, our goal is literary combustion.

About the Publisher:
Electric Literature is an independent publisher working to ensure that literature remains a vibrant presence in popular culture. Electric Literature’s weekly fiction magazine, Recommended Reading, invites established authors, indie presses, and literary magazines to recommended great fiction. Once a month we feature our own recommendation of original, previously unpublished fiction, accompanied by a Single Sentence Animation. Single Sentence Animations are creative collaborations: the author chooses a favorite sentence and we commission an artist to interpret it. Stay connected with us through email, Facebook, and Twitter, and find previous Electric Literature picks in the Recommended Reading archives.

  • Sales Rank: #267369 in eBooks
  • Published on: 2014-02-09
  • Released on: 2014-02-09
  • Format: Kindle eBook

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